Lebanese label Elie Saab shows Spring 2024 ready-to-wear collection at Paris Fashion Week
DUBAI: Saudi model Amira Al-Zuhair had all eyes on her as she walked the runway for famed Lebanese designer Elie Saab as he showcased the label’s Spring 2024 ready-to-wear collection at Paris Fashion Week on Saturday.
The model showcased two unique-but-breezy looks on the runway for the collection titled ‘Moonlight Shadow.’
In the show notes, the label described the Elie Saab woman as, “always ready for moonlight gatherings in radiant day looks that bring blissful glimmers to the evening.”
“Flowing open-back summer dresses with scalloped hemlines are garden-fresh in oversized white English lace. Wisps of citrus organza flowers flourish from the monochromatic hemlines of billowing silk bomber jackets. Chunky tromp-l’oeil sapphires, rubies and platinum chains trace a white kaftan with a sleek cape,” it continued.
“Of course, the party is never complete without raffia leather platforms, mini top-handle bags and extravagant gemstone jewellery.”
Previously, Al-Zuhair also hit the runway for Japanese-helmed label Yohji Yamamoto and French jewelry brand Messika at Paris Fashion Week, just days after she walked for French label Balmain.
Japanese fashion designer Yamamoto, who is based in Tokyo and Paris, sent models down the runway in an assortment of all-black looks as part of the labels Spring/Summer 2024 collection.
Earlier in the week, Al-Zuhair opened the Balmain show during Paris Fashion Week.
The rising star, who was born in Paris to a French mother and Saudi father, wore a white polka dot jumpsuit with colorful three-dimensional flower designs around the chest.
When Gertrude Stein, a close confidant of house founder Pierre Balmain, penned “a rose is a rose is a rose,” she likely never envisaged its metamorphosis into a Paris runway’s guiding theme. Yet, designer Olivier Rousteing, embracing this iconic friendship, orchestrated a floral ode for Balmain’s Spring 2024 show.
Rousteing channeled the essence of Balmain’s couture from the late 1940s and early 1950s, celebrating Balmain’s architectural wizardry. With every fold, cut and stitch, he echoed the legacy of the maison, fused with his own brazen touch. Sprinklings of the petit pois (polka dot), a staple from Monsieur Balmain’s era, added whimsy amid the blossoming rose narrative.