Robocop Amazon series must avoid restart error 2014

Summary

Robocop (1987) favored social commentary and dark satire through exaggerated violence and marked motivations.
Restarting Robocop 2014 failed to take too seriously and ignore what caused the original work.
The Amazon Robocop series must stick to topics that have shown that they are associated with the audience.

Robocop The first decorated film screens with the same name from 1987, directed by Paul Verhoeven. The film succeeded in critics and audiences and gained financial revenues to guarantee the sequel. ROBOCOP 2 (1990) and ROBOCOP 3 (1993) were malignant subsequent measures whose decreasing returns saw the end of the film for some time. However, the character would benefit from other media.

Robocop He was adapted to comics, where he carried his own stories and even fought with other icons on the screen like Terminator. Was there 1994 Robocop TV series that cleverly ignored the sequel and still acted as a free sequel to the film. Nevertheless, it was aimed at a younger audience, alleviated violence and brought a faint trip. There was also ROBOCOP: Prime Directive Miniserie from 2001, which recorded mixed results. The character was not listed in another movie until Robocop 2014, remake of the story of the first film from the ground up. Among the fans it was not good, the first film never continued.

The character, however, proved to be popular and almost landed a film by director Neill Blomkamp called Robocop is coming backWhich would be an inheritance sequel. Although this project has become on the ice, a video game ROBOCOP: Rogue City He saw an increase in the character with players who got another taste of what the original film offered to the audience. Now wants to revive Amazon Robocop With the new series, but their revival must avoid the same error as condemned by the 2014 restart.

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Many look at 1987 Robocop Movie and do the judgments. It looks like too violent a sci -fi film, lacking a substance outside bombastic entertainment. This cursory overview does not capture the true essence of what is built in the film because it offers a comment by using violence and displaying class structures. Robocop He has a lot to say with images that decide to show the audience. (In this sense, it is like Verhoeven's other misunderstood sci-fi movie, Stem ship soldierswho used fascist films in commentary on militarism and political ideologies, but was interpreted as an extraterrestrial action film.)

Robocop Protagonist Alex Murphy dies very early in the film when he saw how he turned into a titular robocop. His death scene is so violent that she might even feel ridiculous, so the audience either chokes in his absurdity or are enthusiastic about bloody dismantling. But this is exactly what Verhoeven wanted, because it is satire in its most basic form. Satira often uses exaggeration to reveal and criticize current questions. This is exactly what Murphy's unnecessarily bloody death determines, showing viewers that excessive violence should not be used, and to penetrate the sentiment during his run.

Robocop He also gave a comment beyond the scope of foreign violence, because many of his topics were focused on clarifying significant problems for society as a whole. The main villain of the film is established as Clarence Boddicker, whose gang activity is troubled by the city. However, the real villain is revealed as Omni Consumer Products and their higher President Dick Jones, as Robocop It emphasizes the evil of corporate greed and uncontrolled forces controlled in meeting rooms. It also shows how corporate dominance caused the fall of society because the citizens of the city live in a nightmare.

Some may decide to appreciate Robocop Like a simple action movie. The commentary still goes as deep as it shows in the background around the city, emphasizes the influence of the media on the masses and shows Verhoen's intended vision even in smaller details.

2014 Robocop Reboot took too seriously

Whenever a beloved property is ready for a restart or remake, fans often fear than enthusiasm because they know that the characters and concepts they adore can lose what made them excel in the first. That happened when Robocop In 2014 he received a remake treatment. The remake filled in its cast and crew with a renowned talent. José Padilha, who gained attention for his Brazilian action films Elite Squad and Elite Squad 2: The enemy insideLogged in to direct. The cast included Joel Kinnaman as Alex Murphy, Gary Oldman, Michael Keaton and Samuel L. Jackson. But they decided to take a movie in one direction that should not leave.

Remake 2014 Robocop He played the horrors of Murphy's situation and allowed the film to focus on his struggle for the alignment of his humanity and robotic form. While there were emotional bets to character, remake resigned from violence at the top level and tinted things for evaluating PG-13. This could be forgiven unless they also have a connecting comment.

The film was taken too seriously, much more dealing with action movie filming than allowing the comments and dark satire of the original 1987 to be successful in a new way. Rather than trying to update the basic themes of the film by contemporary plague, it failed and provided a general sci-fi action. Most Robocop Fans directly rejected this approach, making it unimpressed in the cash desk. Became a film that most viewers did not understand 1987 Robocop Being, proving that they lacked everything that was strange.

Amazon Robocop The series must accept more than aesthetics

James Wan, Director Smoking and Sawacts as a powerful producer for Amazon Robocop Series and Amazon set up Moonhaven Creator Peter Ocko as Showrunner. But critically joined ROBOCOP 2 was directed by Irvin Kershner, Director The empire strikes backSo even talented creatives do not guarantee success. Yet the variety provided a synopsis for a series that sounds like she intends to hold true Robocop roots:

The giant technological conglomerate cooperates with the local police department to perform a technologically advanced coercive body in the fight against a growing crime – a police officer who is part of a man, a partial machine.

With a positive response to ROBOCOP: Rogue City, And the failure of remake 2014, it is clear what works for franchise. Fans want to see how the character and the world are doing the right commentary, to create satirical strikes for social shortcomings and to examine what it means to be human. It could even benefit the show to go towards a hereditary sequel, just like Blomkamp Robocop is coming back should have been, ignore the sequel and get back to what caused the 1987 film. Other franchises, such as HalloweenSuccessfully conducted similar movements. While plans for Amazon Robocop The series is under the wrap, the representation of the character remains to be seen. Nevertheless, the creators must avoid past errors of franchise and lean on what has shown that it is associated with the audience.