It is difficult to express in one article how I feel about social network, David Fincher and Aaron Sorkin in 2010 Hit about Facebook. This is partly because I have not seen it for a long time, but it is also because the main subject of the biographical drama became 15 years after the film hit the cinema even more controversial character.
It is still widely considered one of the best films of the 21st century, but perhaps more culturally significant, its less than the flattering depiction of Mark Zuckerberg, now one of the most important and controversial billionaires in the world, has helped to cultivate fascination with the intellectual capacity of the CEO and its aurious, cold personality. However, its continuation could be even more important in shaping the current perception of Zuckerberg.
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According to the term, Aaron Sorkin will write and direct the social network 2 that “examines the story for The Facebook of The Facebook from Wall Street Journal by Jeff Horowitz, an explosive series of articles published in October 2021 that revealed internal functioning – and more damage – and the world – in the world. to “teenage, preteens, violence and countries outside the US”
Facebook files are a number of articles that check documents from the META informant who show the participation of the company to allow more forms of serious damage to its users.
It seems that Sorkin's attitude towards Zuckerberg has been significantly flipped if it were positive at all. In the episode of the city 2024 with Matthew Belloni called Aaron Sorkin, Live From DC, he clearly said: “I blame Facebook for January 6” and refers to the 2021 attack on the United States Capitol by President Donald Trump. He continued: “Facebook, among other things, tuned its algorithm to support as much dividing material as possible, because this is what will increase engagement, that is what they make for you, what they call inside Facebook corridors, endless scroll.”
In 2019, he also wrote an open letter to Zuckerberg in 2019, criticizing Facebook policy to allow politicians to publish false advertising.
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Part of the discourse around the social network, when it was first released, focused on the ethics of creating a biographical drama about a person who was still alive and very influence. This helped shape not only Zuckerberg, but to technology CEOs and entrepreneurs, because to some extent it glamourized the harsh rise of now incredibly strong technology companies.
However, Zuckerberg is a living object, and some assume him that he is now one of the main driving forces of what some political voices consider to be a movement towards technization. Technical CEOs are no longer just rich biopic objects, they are present in Donald Trump's inauguration, ending dei programs and talking about “male energy” on Joe Rogan's podcast. In some ways, the film proved to be terribly predictable. Maybe we were supposed to see how it came from the cunning view of Zuckerberg Jesse Eisenberg as an angry lonely man who was supposed to prove something and always thought he was the smartest in the room.
I don't always love Sorkin's job, but right now the social network 2 could be what we need. If the social network has helped to re -rast our understanding of Mark Zuckerberg and his legacy, perhaps the sequel can again and help mainstream viewers fully cope with the terrible consequences of allowing Silicon Valle leaders to gain too much power through their wealth. It is easy to chalk these terrifying times until the whole mess of factors, because it is A mess, but its formation of social media and meta could be one of the most important of all.
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